Kevin Anderson

Both these examples top right and top left by Sam Chung show a great deal of line interpretation.  He uses different colors and widths in the lines to give the object a great deal of depth. It isn’t overly apparent which should be jumping out at you first, the color sections or the porcelain white.  And the black lines give visual depth as well.  The functionality of the pieces don’t appear to be very realistic, but the pieces are very appealing to the eye.

The other three pieces represented here are by Maren Kloppmann. They are particularly interesting to me again because of the lines used in the finish. I am drawn to wonder about the placement and size and obscurity of the lines. The subtle shifts in line placement really create a certain amount of confusion and make the piece much more appealing to the eye.