Kevin Anderson
The following artists have a flare for complexity. It takes an abundance of patience to deal
with clay and get the final product to reflect what was intended. First, is Hans Borgonion. I have secured two examples of his work, and
the first is “Microtubuli XL”, 2008. It is an extruded tube of clay which is
then handbuilt to get this beautiful design.
I am drawn to this piece because the natural organic look that he was
able to achieve is amazing. The handling
and delicacy required to pull this off is quite a task.
The Second Artist dealing with many complexity issues is
Ryan LaBar. At the first glance of the
photos, I thought these pieces were quite small and how was he able to get them
to look so amazing? But further
investigation shows that these pieces are quite large and spacious. This however still makes you wonder where he
was able to get these fired. Perhaps a
very large kiln somewhere. The first
piece is titled “In Chaos, A Moment’s Repose”, 2011. This stood out to me with his lack of color
throughout most of the piece. The lack
of right angle and perpendicular lines gives a sense of flow and endless
curvature. The shadows add to the drama
of the piece and the title gives you a glimpse into the artists ideals.
The second piece I chose was “Anything Can Happen, and Usually
Does”, 2010 also produced by Ryan LaBar. In this one, the colors and trim lines give
me a feeling of a ‘system’ that is being propogated. I look at this and see many parts of life all
working together for a common end. Looks
like a mess and that goes well along with the title of the piece. The color choices are also interesting as
many people associate many colors to different emotions. All together this piece looks like it was
well thought out and executed. This
artist is the most impressive I have seen so far.
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